I used less than 1 packet of Body Tattoo transfers bought at Daiso for S$2.00. To apply, I peel away the pattern, put it on the side of the hands which can be seen, wet it with a tissue and then remove the paper leaving the design on the palm or the back of your hand and their waists as tattoos.
In India, where furniture was not introduced until after the 16th century and even tables and chairs were regarded as Western and untraditional, an important furnishing must surely be the floor cushion.
Even in decor books or movies on great Maharajah's palaces, I often see vast sitting rooms of beautifully tiled walls and intricately carved columns standing on floors that appear to be covered in miles and miles of the most luxurious carpets with nary a piece of furniture. But always, there are pillows, bolsters, floor cushions.For even the Kings and the Queens sit on the floor.
And thus these floor cushions were made using my most precious material, so that they be fit for the most delicate of bottoms.
The most exquisite jacquard ribbons I have ever seen, I found them in a quaint little shop on a side narrow lane in Delhi, India.
For those of you who do not feel like clicking through to Day 21-22, this is what I had written about the shop:
It was a good thing I only had 10 minutes at the shop or I would have been completely broke.
I cut 2 "mandalas" for each cushion and used glue instead of threads. This ensures that the integrity of the designs remains with no unsightly sewing.
I then stuffed the cushion with dried shells from bean sprouts before the last side was glued.
The eventual cushion measures 2" by 1 5/8" (because of borders). I believe they are the perfect scale for the smaller life sized throw cushions.
I am going back to India, even if it is just to buy more ribbons.
I made my 1st Indian Side Table for Ranjit Singh, the carpet merchant who eventually occupied the tent that I built. 
It will grace Ganesh and Rosanna's gold plated "tableware" given to me with her set of pillow and bolster. Using the gold pieces, I crafted bowls (ranging from 1/4"- 1") for offerings to Ganesh. These bowls and cups hold a huge rose, a macaron made by Rosanna and a "sandalwood" incense (made from a cone like pot pourri).
The basket below (2 1/2" high and width for base) was made using a broken pottery and ribbons together with resin roses.
I glue the S$2 ribbons and resin roses onto the pot for a "over the top" look. This is because it will be used in a setting that is a la Moulin Rouge.
Using the same method for carpet chairs, I made the following table.
The blue and gold damask ribbon used for the top was bought in India. The lace for the side is S$2 dyed "antique gold". Oriental beads with butterfly, grapes and flower relief were used for the legs. The table tops were bigger pieces of the wooden base for the dolls.
Display Table
Coffee Table
Sofa
Hutch 
Daybed 
Chaise Lounge
Among Eastern potentates, the fan was a badge of rank. The dignity of these rulers required that their fans be carried by slaves or attendants. The ancient form of the fan is therefore pictured with a long handle, and resembles a standard. Figure 529 A wall painting at Thebes pictures twenty-three sons of Rameses the Great in a procession, each carrying a ceremonial fan of semicircular shape attached to a long staff. The office of fan bearer to an Egyptian king was one of high honor, one to which only princes and other sons of the highest nobility could aspire. Figure 529. These attendants served standing at the right and left of the monarch as he sat in state; they attended him when he rode forth and during ceremonies in the temple. When not serving in the capacity of the fan bearer, they waited upon the king as members of his staff or in some other service of distinction.
I used an old chopstick for the handle. First thing I did was to spray paint the wild grass "French Blue". I also added some glitter to the peacock feather which I had removed from a cheap Venetian mask I bought for a costume party.
bought quite cheaply in Little India, 50-70 cents per stalk. Hunting a peacock for its feathers is illegal in India and the feathers can be sold only if shed from the birds, which they apparently do very regularly. Peacock feathers are considered auspicious and "protective" here.
This project was time consuming because feathers are very difficult to handle with sticky agent since they bunch up and stain very easily.) I used double sided tape, spray adhesive (big mistake!), and little bits of wood glue for the part around the handle.
After I did the post on the flowers from J.J, I decided that I liked the stall so much that I would keep it for a while. I thought I could display it as a centrepiece for my dining table until I eventually build something more permanent for it, if at all.
I think I am addicted to the impossible tasks of trying to make fake plastic plants look realistic. These were 1:96 (?) palm trees that came with a packet of plastic animals I bought a while ago. I did my usual spray paint thing and then use a black marker to "draw and smudge" out the veins. Hopefully, one day, I will master the technique but it is useful to record my attempts.
For these hedges, I used materials I already owned for ages. The pots were used to store salt. Two of them were mine and the 3rd I stole from mum. Wonder if she found out yet.
Here's a hectic Tallulah wiping the sweat off her brow and holding a pot of geraniums made by Jayne.
Except for the topiary "trees" and the stall frame, I have tried to use material that gives a sense of portability, hopefully to suggest that this is a stall at a bazaar and not a shop. Tallulah is to be able to "pack everything up" at the end of the day, put a chain round all the stools and empty baskets and go home.
Except for 2 pairs of dolls, all the "characters have been "modified" to distinguish them from each other. Eventually, I hope to work on their dresses as well so that no 2 are wearing exactly the same clothes.
In this setting (above pic) , we see a bit of a lull at the stall. Most of the customers save for 2 girls, have already finished their purchases at Tallulah's and are on their way. The rest are browsers or chattering. At one corner is our romantic, loving and somewhat clumsy couple, with a new handbag. Her green kerchief is sticking out of her bag.
At the other corner, we see Tallulah. I have displayed all the flowers (except the lotus) made by Jayne on the tray between the girls. Thanks to the lull, she is able to speak to Tulip SriViNa, possibly about how she's looking for a partner, since business is going too well and she can hardly cope.
But actually a customer, standing next to SriViNa is waiting to pay for a bouquet and her basket on her head is getting heavy. If she operates on battery, I would have made her tap her foot impatiently.
Diametrically opposite from SriViNa and standing far far away from her is Saffron Syvia. You guessed it, Tulip Srivina and Saffron Syvia are the Kashmiri Twins. Syvia is talking to one of the Delhi Triplets, possibly about how to make money from saffron.
The rest of the Delhi triplets and their eldest sister are leaving the flower stall, making their way towards the Emperor's Emporium, which is 1 day away.
Standing at the middle of the stall is Moran, the lead dancer of the Nautch Girls from the palace. As she turns around, she catches the lecherous looks of a man whose arm is wound tightly around his girl, giving her a false sense of security. Moran is used to attention like this as her beauty is renowned.
The couple next to Mr Roving Eye are fighting. The lady is upset and the man is trying to explain
why their basket is filled with nothing but toddy. You can see here one of the 2 "shabby" baskets I made.
Here's the other one, carried by another girl riding pillion on a 3rd bicycle.
I want to take this opportunity to thank Eva for her comment on my flower post where I posted the picture below.
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